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Please find your instrument and audition instructions below.


Orchestra
Violin
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles, preferrably including the first movement of a Mozart concerto. Scales, bowing techniques, and sight-reading may be required.
Excerpts

Mahler, Symphony no. 5, Mvmt. 1: Reh. 7 ("Plotzlich Schneller") to end of 2nd page
Mahler, Symphony no. 5, Mvmt. 2: Entire page
Tchaikovsky, Symphony no. 4: Both pages


Viola
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales, bowing techniques, and sight-reading may be required.
Excerpts

Berlioz, “Roman Carnival Overture”
Tchaikovsky, Symphony no. 4, Mvmt. 1: Reh. C through Reh. E
Mahler, Symphony no. 5, Mvmt. 3: Reh. 19 through end of the page
Mahler, Symphony no. 5, Mvmt. 5: Reh. 23 through end of the page


Cello
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales, bowing techniques, and sight-reading may be required.
Excerpts

Bartok, Concerto for Orchestra, Mvmt. 5
Mahler, Symphony no. 5, Mvmt. 2
Tchaikovsky, Symphony no. 4, Mvmt. 1: Prepare all four pages


Bass
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales, bowing techniques, and sight-reading may be required.
Excerpts

Beethoven, Symphony no. 9, Mvmt. 4
Mahler, Symphony no. 5, Mvmt. 3: Reh. 15 through Reh. 22
Bartok, Concerto for Orchestra


Flute
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Debussy, "Prélude à l'après-midi d'un faune": bracketed selections Mendelssohn, "A Midsummer Night's Dream"
Mahler, Symphony no. 5, Mvmt. 1: 1 bar before Reh. 12 through Reh. 15
Mahler, Symphony no. 5, Mvmt. 5: Entire page


Piccolo
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Tchaikovsky, Symphony no. 4, Mvmt. 3


Oboe
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Ravel, “Le Tombeau de Couperin", Mvmt. 1: Both pages
Ravel, “Le Tombeau de Couperin", Mvmt. 3: Beginning through Reh. 4
Tchaikovsky, Symphony no. 4, Mvmt. 2: Entire page
Mahler, Symphony no. 5, Mvmt. 3: Beginning through 5 before Reh. 28


Clarinet
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Rachmaninoff, Symphony no. 2, Mvmt. 3: Beginning through Reh. 47
Mendelssohn, "A Midsummer Night's Dream": Entire page, not just bracketed section
Mahler, Symphony no. 5, Mvmt. 1: Entire page


E-flat Clarinet
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Berlioz, "Symphonie Fantastique," Mvmt. 5


Bass Clarinet
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Strauss, "Till Eulenspiegels lustige Streiche"


Bassoon
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Bartok, Concerto for Orchestra, Mvmt. 2: Both excerpts
Mozart, “Marriage of Figaro” Overture
Tchaikovsky, Symphony no. 4, Mvmt. 2


Horn
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Strauss, Don Juan
Strauss, Till Eulenspiegel: Bracketed excerpts
Tchaikovsky, Symphony no. 4, Mvmt. 1
Tchaikovsky, Symphony no. 4, Mvmt. 2

If auditioning for principal, please prepare entire obbligato horn solo from Mahler, Symphony no. 5, Mvmt. 3


Trumpet
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required, as well as double- and triple-tonguing.
Excerpts

Mahler, Symphony no. 5, Mvmt. 1
Tchaikovsky, Symphony no. 4, Mvm.t 1
Bartok, Concerto for Orchestra, Mvmt. 5


Tenor Trombone
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales, tonguing, and sight-reading may be required.
Excerpts

Tchaikovsky, Symphony no. 4, Mvmt. 1
Bartok, Concerto for Orchestra, Mvmt. 1
Mahler, Symphony no. 5, Mvmt 3: 1 bar before Reh. 15 to end of 2nd page


Bass Trombone
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales, tonguing, and sight-reading may be required.
Excerpts

Select two of the three Tenor Trombone excerpts from above and prepare:
Wagner, “Ride of the Valkyries”



Tuba
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales, tonguing, and sight-reading may be required.
Excerpts

Mahler, Symphony no. 5, Mvmt. 3


Harp
Applicants will be required to prepare all of the following excerpts in addition to two works of contrasting styles. Scales and sight-reading may be required.
Excerpts
Strauss, Don Juan

Percussion
Excerpts
Percussion audition packet

Timpani Rite of Spring
Demonstration of rolls, tuning, and sightreading

Cymbals Crashes at various dynamic levels

Snare Drum Demonstration of rolls, rudimentary solo of choice